Archive for the Craft Category

What You Can Do With Kaldred

One of the best things about designing and writing patterns? I get to see what people do with my idea. It is immensely gratifying and so, so, so cool.

My crochet bracelet pattern, Kaldred, has been the subject of a crochet-along on Ravelry and people have come up with really fantastic projects.

And it was all kick-started by Merri who arranged the crochet-along after seeing Debi’s this stunning version:

Crochet cotton with beads. Debi chose very earthy, bronze-like colours for her Kaldred and I think her Kaldred looks flirty and fun.

Colour choice play a huge part in determining your look. Denise of FabEWElous chose to make her Kaldred out of black crochet cotton and added jet-black beads for effect. I think this version does indeed look fabulous: very chic and very gothic.

Shelley of CrochetedSass has made several Kaldreds, each with their own style. She even made one as an ankle bracelet! I really like this particular bracelet, though. Shelley explains that she thinks this one is more a cuff than a bracelet and I agree: this chunky Kaldred looks casual and contemporary.

Thank you for allowing me to use your photos, ladies!

I’m sure there are many other ways you can use the Kaldred pattern. Why not use it to make a necklace or a headband? Use a very chunky/bulky yarn and make a scarf? Add sequins or buttons? I think it is one of those patterns you can vary endlessly.

ETA: Oh, my word. I just love this version crocheted by Anne (aka FrozenP) in gimp. So textural:

Swatching for the Future

Do you swatch? To tell you the truth, I rarely swatch except when I suspect that either my tension will be off-kilter or when I’m unsure about colour combinations. It is a terrible thing to admit to (not) doing and it is definitely a case of do-as-I-tell-you, not do-as-I-do. I’d be a nightmare parent.

But I am swatching now, except I am swatching with Rowan Fine Tweed (4ply) rather than Rowan Tweed (DK). I wanted to make sure that my chosen colour combination for Finna will work – and since my local Rowan stockist did not have the full range of the DK weight colours (any day now, though, any day), I took the opportunity to sample the fine gauge instead. The combination is a thing of beauty and I am marvellously excited about getting started.

I’m tentatively starting to think about my autumn wardrobe. Apart from Finna (and another jumper or cardigan I’m yet to decide upon), I want to make a couple of go-to skirts. I have some beautiful green corduroy stashed away which is crying out to be a 1970s-style A-line skirt with pockets (must.have.pockets) but I cannot find the right pattern. Then there is the green-cream-orange apple-print cotton which is just on the right side of 1970s retro kitsch, but which could be ruined by pairing up with the wrong pattern. I’ve looked at Burda and Simplicity, but pattern suggestions are very welcome.

Even more excitement: the Crocheted Jewellery group on Ravelry is hosting a CAL (a crochet-along) of my Kaldred bracelet all August long! I love seeing what people do with my patterns and I’m having so much fun looking through people’s projects.

So jumpers and skirts and a few patterns to write-up .. phew, it is going to be a very busy autumn in Casa Bookish craft-wise. How is your craft basket looking?

The Not So Gentle Art of Reviewing

I was asked by a publishing company if I wanted to review a knitting book. My only problem was that the publishing company has a back catalogue of, well, novelty knitting books and so I was sent Jane Brocket’s The Gentle Art of Knitting when I showed a decided lack of interest in a Harry Hill knitting book. I think the Harry Hill book might have been better because the Brocket book confuses me.

The Gentle Art of Knitting is pretty in a comfortable, yet aspiring way. The photography is lovely, the layout is stylish (but not dauntingly stylish) and the writing has a spring in its step. I was not surprised to find that Brocket is a blogger because her writing has a certain immediate, chatty style to it. I know I’m supposed to be charmed by her book and herself, but I have problems with the book.

I am well-educated middle-class woman who likes making things. I also like things with a story. And I appreciate aesthetically pleasing things. I am the target audience for this book but I feel condescended towards:  Reading The Gentle Art of Knitting I feel like I am not good enough because I have not chosen the right wine to go with my knitting (but Jane can help!); I am not good enough because I did not pick up 20 skeins of Cascade 220 on my last breezy weekend trip to New York (but Jane did!); And I am not fun and retro enough to have a knitted tea-cosy for my teapot (but Jane sure is!). There is a sense that my own life is slightly lacking but that Jane Brocket hovering behind me will gently correct all my tiny flaws.

I am not sure where this lingering sense of inferiority is coming from. Ms Brocket’s designs are not exactly earth-shattering: a knitted apron, a bog-standard ripple crochet blanket, a chevron scarf.. There is exactly one pattern I like in this book – a pair of pillows – while the rest of the patterns feel nondescript. Designs do not need to be complicated, of course, but I somehow expected more from a book with such a heavy emphasis on aesthetics. I somehow expected a cohesive design strategy..

(There is even an strange bit devoted to “cult knitting patterns” which has her describing the Clapotis scarf and The February Lady Sweater. This section feels very odd, very tacked-on, and oddly dated.)

It is a UK book, yet most yarns used can only be bought in a handful of shops throughout the country. We are not even talking unicorn yarn here, just straightforward US workhorse yarns: Cascade 220 and Blue Sky Alpaca. If Jane Brocket wants to use yarns that is more exclusive than what you can find in your average UK yarn shop, why use quite plain US workhorse yarn? Why not track down The Natural Dye Studio? Fyberspates? The Knitting Goddess? If exclusivity is not her aim, why not promote UK companies? Rowan? Debbie Bliss? Sublime? Her readers will thank her for being able to buy the suggested yarns.

But then again it’s a book for knitters that do not knit. It is lifestyle porn in the same way as Nigella’s cooking shows, Kirstie Allsopp’s TV crafting and the Sunday newspaper colour supplements are inviting you to buy into a lifestyle. As a knitter who does like to knit, I am not sure what to do with this book.

I have tried hard to think of The Gentle Art of Knitting‘s unique selling proposition but I cannot really find one. At the end of the day it is an aspirational lifestyle blog locked into a book. There are many knitting and lifestyle blogs out there – many of which are far better than this book – and I can read them for free. I can also buy far better pattern books at a fraction of the price.

I’m sure I wouldn’t have spent nearly 700 words on the Harry Hill knitting book. I’m also sure I wouldn’t have felt so disheartened either.

Making Things

Crochet. I have been absolutely obsessed by crochet lately. Today I made this little bracelet out of scrap Rowan Denim. Pattern tomorrow. If you’re a beginner crocheter, you will love how simple it is.

Two things:

1) I love crocheting with cotton. In fact, I know nothing better than crocheting with a tightly-twisted mercerised cotton. Knitting with cotton tends to ruin my hands but crocheting is a different story all together.

2) I am an awfully tight crocheter. I have to go up at least one hook size (if not two) because my crocheting is uncomfortably tight and dense. In fact, you could probably use my crocheted fabric to cut bread unless I change hook size.

My very first garment ever was a self-designed crochet jumper made from my Mum’s cotton scraps. It was yellow, orange, pink, lime green, and red. I made five granny squares and crocheted them together to form a strip right across my generous bust. (Hey, I was seventeen!) Then I crocheted stripes alongside the bottom edge making up the pattern as I went along. And a matching stripy square for the back. And another two stripy squares for the two sleeves. I whip-stitched everything together, of course, and wore the wonky cropped granny-squares-across-bust stripy jumper with pride.

Funnily enough the jumper got “lost” in the laundry one day.  Thanks Mum.

She never did manage to lose the trousers I made from my late uncle’s kitchen curtain. These trousers would be have been on-trend this season had I not wore them until they fell apart (the fabric with its fish motifs might also have pegged me as being slightly weird). I am a bit tempted to sew a pair of wide-legged trousers, but I’ll definitely give the crocheted granny-square/stripy jumper a miss.

Brief Encounter

  • I have a nice pile of unfinished projects I had really hoped to have finished by now. Thank you, Upstairs Neighbour for flooding our bathroom and completely derailing an already busy week.
  • I have been running so many knitting and crochet tutorials this month. It has been completely overwhelming but in a good way. My brain is slightly fried and I feel like I’ve used up all my good craft-related jokes.
  • I’m nearing the end of one design process and will begin another one next week. I have been asked about my design process. Right now my process is all about meeting needs I discover in my many, many tutorials. I’ll get back to this in a later post.
  • First, though, I’m packing my bags and heading off to Yorkshire for work. I’m off to spend quality time with some good people.
  • My first quilt is currently displayed in the window of The Life Craft. How blooming exciting and slightly humbling. They are now offering ceramics classes – I’m tempted but I really do not need another craft. I have no time for another craft.
  • I have been reading a lot of crap this week. Balogh‘s One Night For Love may very well be the worst book I’ve read in several years. This plot outline should give you an idea why. However, my brain is too fried for anything vaguely decent. I even had trouble following The Brontës Went to “Woolworths”, for heaven’s sake.
  • I really need a long holiday. Looks like that’s not exactly in the cards just yet..
  • Maybe getting a proper night’s sleep would be a good place to start. And then it’s time for Yorkshire.

Shimmy On

What a lovely, productive weekend. The UK enjoyed two days of glorious sunshine, blue skies and summer-like temperatures. Ahhh…

Of course, being as clueless as ever, I was wearing boots and black tights underneath my dress whilst everyone else was showing off their nicest summer outfits. In the evening I wore my Millbrook cardigan for the first time since last summer. I still love it so very, very much. Note to self: I need to solve my summer clothes situation, I need to knit more summery cardigans and I need more Rennie yarn – particularly as the company has sadly gone into administration. (This is not the time for a good rant about how UK knitters need to support the UK wool industry instead of importing US yarns in the name of supporting small, local producers. But, mark my words, there will be a rant at some point.)

April 2011 066Ah, but first a small aside about a beautiful Sunday.

We started off with our usual trip to Auntie M’s Cake Lounge, then ran into a rather rowdy Alasdair Gray at The Hillhead Bookclub (which has nothing to do with books, incidentally, but has tonnes of atmosphere), got massively tempted by Miss Katie Cupcake‘s wares at HB’s Granny Would Be Proud craft fair (still the best curated craft fair in Glasgow), caught up with our good friends at The Life Craft whilst taking in a new Colorimetry trunk show, happened upon some real vintage bargains in Ruthven Lane (the shop owner, Stephen, was delighted: “I was told nobody would ever buy that but here you are an hour later..”), and finally ended up alongside the River Kelvin where we found some wild garlic that was put to good use in our dinner.. Ahhh.

April 2011 076But the lack of summer clothes is an issue. Today I’m going to cut several sewing projects. Huzzah!

I could not resist the 1950s-esque print of this cotton/poly. The colours are not very summery, but they are good, versatile ones. I’m making the Simplicity/Lisette Passport dress, although with some trepidation as I usually need to do an FBA (full bust adjustment) on tops and I haven’t a clue how to do one on this pattern. We shall see.

I am also going to cut the Crepe dress in some African cotton I scored on eBay and while I’m at it, I might as well cut a skirt in Amy Butler’s Daisy Chain Blush (top fabric – not my usual colours but it was a remnant) which’ll be perfect for work.

April 2011 077Also in the works: oh gosh, it is my ill-fated Kim Hargreaves cardigan finally blocking! I finished knitting this cardigan back in January, realised that I should have done an FBA on it (somehow), and left it lying in a bag behind the sofa. I’m blocking the bejeebus out of it and I hope the alpaca will also stretch beyond belief. If it doesn’t work, I’ll just wear the cardigan unbuttoned. It’d look nice over the Passport dress, wouldn’t it?

April 2011 078

And my Kaffe Goes Bollywood wrap is almost done. It has been a great relaxing knit – and one of those where you thought “oh, just one more row”.

I’m still not convinced I chose the right colours – it is not quite as eye-searingly bright as I had hoped – but it is one of those projects where you don’t have to be a colour genius like Kaffe Fassett to figure out a colourway. The colours will magically work together no matter which ones you choose.

Now, let me get the ironing board out, find my scissors and start getting down to work..

Quarterly

Can you believe the first quarter of 2011 has been and gone? It is an oddly cheerful thought and I have had an excellent first three months of the year.

Selected highlights:

Not bad. I just need to read more books because I only finished one (one! ONE!) book during the first three months of this year. That is abysmal. I blame Zadie Smith’s On Beauty which I really, really did not like.

Kaffe Goes BollywoodNew project on the needles. This is my take on the Unwind wrap from Rowan Magazine 49.

The original has a very muted colour scheme – soft mauves, dusty blues and earthy neutrals – but I have long wanted to combine three bold colours of Kidsilk Haze so I took my inspiration from Bollywood instead. I’m using a very bold fuchsia as my dominant KSH colour together with coral red and deep orange with lime green as contrast and a neutral pink to tie things together. The pattern also uses five different colours of Rowan Summer Tweed and again I have opted for pink-red-orange-green hues.

The wrap isn’t difficult to knit as it’s all stocking stitch. I think the difficulty lies in which colours to choose. These colour schemes spring to mind: ocean blues, greens and greys; spring garden in pretty pinks, greens and yellows; earth and stone in browns, beiges, fawn and soft greys; girly in soft hues of pinks and whites..

.. my Fancy jumper is zipping along really well too. It is weird having two KSH projects on the go at the same time. I think I might try to counterbalance all the airy mohairiness with some sewing later this week. I have some self-imposed deadlines (as always) and I’d also like to wear some self-made things on a trip to Yorkshire I’ll be making next month.

I wonder what my next quarterly review is going to look like?

FOs: Cowl & Quilt

Silkwood

O hai

What a great spring weekend. Perfect for finishing projects and take photos of said Finished Objects in the park.

First up, my new favourite piece of knitwear. A super-simple cowl knitted in the round out of three different silky yarns. It feel luxurious, it is easy to wear and I love the play of textures. It is not a shouty piece of knitwear – it does not go look at me, I’m handknit! – but it is really versatile. It’ll live ’round my neck until proper summer hits Scotland.

My first quilt

Lazing on a sunny afternoon..

I have rav’d the cowl here and I recommend trying to pair up very different yarns and textures. My next big knitting project is all about textures too but more on that later.

Now my next project and one which gave me that amazing did I really make that? feel which I rarely get with knitting these days (sad but true).

My first quilt, y’all.

The second weekend workshop took place yesterday and I managed to finish piecing the top, sandwich the layers, quilt the whole thing and do the binding. No wonder I’m exhausted today!

My first quilt

The starburst is there. Honestly.

An error on a sewing machine supplier’s part meant that instead of freemotion quilting we had to choose quilt patterns that we could finish with straight-stitching. That sudden constraint worked wonders for the class’ creativity, I think, and people became very engaged in thinking up quilting designs rather than worrying about getting their patchwork perfect.
I chose to do an asymmetrical starburst on top of my (mostly) symmetrical design. It may be difficult to tell by the photo but the starburst is oddly effective. The interplay between the patchwork with its rigid lines (and made from geometric prints) and the asymmetric quilt lines lets your eye travel – and also looks far better than any freemotion attempt on my part would have done.

My first quilt

I couldn't find a backing material that matched perfectly. Oh well.

My good friend Kirsten Marie wondered if I enjoyed quilting and if so what I enjoyed about it.

Honestly, I am not sure if quilting is for me. I am not a very precise crafter – I work best on the basis of intuition and fudging things – and I think you need to be anal rentative into measuring things twice and following rules to really enjoy quilting.

Having said that, I am really bowled over by my first quilt of mine and I really liked seeing it come together. I enjoyed having an idea in my head regarding colour and seeing how that idea panned out.

My first quilt

The quilt & me (I'm added for size comparison purposes)

And I liked how everybody’s quilts in my class looked so different because of fabric choice and how personal all the quilts felt as though they really did reflect the personalities of the people making them.

(I think my quilt looks modern, colourful and Scandinavian – I think that runs pretty true to my taste!)

Will I be doing more quilting? Probably, yes. I do think the cost of materials is fairly prohibitive and I stress out during certain parts of the process, but I will probably return to this craft occasionally. I like snuggling up in blankets, after all, and there is something to be said about making your own quilted blanket..

Just Knitting

March 2011 204Sometimes I get so very tired of knitting.

No, I do not tire of knitting – that simple enjoyable activity that involves a ball of string and two pointy sticks – but I do tire of certain aspects involved in knitting.

I tire of the one-upmanship I see in the knitting community. That you need to be knitting the latest viral pattern craze in precious hand-spun unicorn yarn from a small island off the coast of Chile to be a cool knitter. Or that coolness equates you knitting crazy Estonian lace at knitting group whilst shrugging off its difficulty with a modest “oh, it’s straightforward, really” and frantically counting in your head. I’m currently that last knitter (although my stitch pattern is straightforward, honestly) and I’m even knitting my crazy Estonian lace in an expensive designer yarn. Where is this one-upmanship coming from?

I tire of the idea of “a knitting community” too.

I was recently contacted by another knitter who asked me to share a copyrighted pattern “to support our knitting community”. Really? Just because I knit, I am not automatically your new best friend. We share a common interest but I am not just a knitter. My identity has so many other markers that I do not feel automatic kinship with anyone who knits.

Besides, the very idea of a “community” is ridiculous when I see these self-confessed ‘yarn snobs’ and ‘knitteristas’ roll their eyes at seeing someone knitting a baby jacket on straight needles using cheap mass-market yarn. Isn’t “the knitting community” just another way of saying “exclusive club”?

So, honestly, I needed something to cleanse my palate. I wanted to be reminded why I love knitting so much.

March 2011 210 I took my inspiration from the recent Rowan magazine – it is actually turning into one of my favourite resources together with Knit1 Fall/Winter 2008 – and specifically Kaffe Fassett’s Unwind Wrap. I looked in my stash, uncovered some yarns that went well together and I sat down to knit. I had no plan, no pattern, and I just used up some spare balls from the stash. No fuss, all freedom.

It felt great. I felt great.

I’m going to weave in my gazillion ends now and then get my partner to shoot a few photos of me wearing my newest project – but I’m not going to make out that it is the most exclusive, most amazing, or super-difficult project ever. Knitting it made me feel good and wearing it (despite the many loose ends) makes me feel good.

But at the end it is just knitting, you know?

Lessons Learned

March 2011 164I have learned several lessons today.

1) I was right to buy more fabric for my first quilt. Remember I felt uneasy about the matchy-ness of my fabrics? I decided to mix up my orange fabrics with some aqua. I rather like the result.

2) I get really, really stressed out about measuring and cutting my pieces. At one point my hands were so shaking so much that I was ordered out of the classroom to get some fresh air. Well, you’d be stressed too if your first go with a rotary cutter resulted in you making a big and very uncalled-for cut into your expensive binding material.

March 2011 1693) I find the sewing part very relaxing and intuitive compared to the cutting. Nothing can go wrong now. Except if you sew wrong bits together but that is what a seam-ripper is for.

4) Seeing how your fabrics look together makes up for a lot of stress.

5) No matter how careful I am when measuring & cutting my pieces, I will need to dip into my scraps for extra squares because I struggle with imperial measurements.

March 2011 1756) And when I get home, I will take a ubiquitous photo of my semi-finished craft project in The Usual Spot.

I have homework for next week: I need to finish sewing all my squares and ironing them because next time we’ll be putting the quilt together! I’m slightly terrified of the binding and very apprehensive about the actual quilting, but I’ll be fine. My teacher, Bronwen, was a calming, encouraging influence throughout the class and even managed to make me feel accomplished despite my numerous shortcomings.

Also: I loved seeing how the other quilts were shaping up and how much of a difference fabric choice makes.

March 2011 172In knitting, a jumper looks more-or-less the same whether you do it in green, blue or orange. Katherine had chosen to use all bold patterns in teals, blues, and greens. Dr J had gone for one specific print and had picked co-ordinating fabrics based upon that print. Another woman were making the quilt with her god-daughter in mind: pretty, pale pastel colours and tiny prints. We were all using the same layout but the feel of the patchwork blocks were so very, very different. So cool.

Meanwhile I have started a new knitting project – a really easy, mindless little thing that’s also a great stash-buster (as long as you don’t go out to buy two balls of yarn to match stash yarn like I did..). More on that anon.

Finally, a few random links:
+ Old love never really dies ..  but the dog is a bonus. Also, Scots don’t really look like this. Trust me.
+ I’m interested in neurology for a number of reasons and this little article answers something that has been nagging me since childhood: why do I see certain shapes if I rub my eyes?
+ The blog name really bugs me, but the post touches upon things that played a small, but very significant part in me leaving Denmark.
+ Sound advice for any blogger (not just food blogging).