Alasdair Gray is a Glaswegian writer and artist. I once spent a lot of time looking at how he imagines and uses the Book as a material object. Somewhere in this flat I have a opus magnum which details Gray’s use of paratextual elements in constructing and assembling his books (In case you care, his The Book of Prefaces really pushes these ideas to the very edge. I wouldn’t call it an interesting read; it’s a maddening exercise in finding a text. It’s fun.)

In short: I like Alasdair Gray a great deal. In a strange and roundabout way, Gray’s work in art and fiction was one of the reasons I moved to Glasgow and probably also one of the reasons why I connected with Glasgow so quickly. When you spend a significant amount of time living with your head inside books that write Glasgow, Glasgow herself becomes familiar.

I was watching BBC’s The Culture show tonight. Alex Kapranos was reading a passage from Gray’s Lanark whilst sitting in Óran Mór. The inside of my head was splattered across the television screen. To clarify: the frontman whose band’s first album was the soundtrack to my life circa 2003-2005; the passage the very one you can find in the sidebar on this website; the novel which spawned a thousand and one things; and my local pub which just so happens to be decorated by Gray himself.

I learned that Alasdair Gray is working on a giant mural for my local underground station, Hillhead. And there is an exhibition in Edinburgh (there are two exhibitions, actually, but I’m mostly interested in the first one).

Life is very odd and very good and very bitter-sweet and very perfect sometimes. I am amazed at where my life has taken me.

I have a lot of time for Alasdair Gray. He is one of those novelists I am never sure whether people will like or not. I tend to recommend Poor Things as the gateway to Gray’s oeuvre: it reads like a postmodern feminist Frankenstein; it is exuberant and giddy; and it is wildly entertaining.  Unlikely Stories, Mostly is a rare beast: a short story collection which feels like a cohesive book and which is also a compulsive read. The stories ranges from short childhood snippets to the fantastic typographic fantasy of “Sir Thomas’ Logopandocy” about Sir Thomas Urquhart (it remains my favourite piece by Gray).  Lanark tends to divide people – my boyfriend still cannot believe that I like a book that nasty and unpleasant, but then again he has not read Gray’s 1982, Janine which is Gray’s tour-de-force in sheer unpleasantness and utter despair (and I really like that one too).

I once spent a lot of time looking at how Alasdair Gray imagines the Book as an object. 1982, Janine is not only a typographical wonder (at one point the protagonist attempts suicide which is portrayed in visual poetry) but its hardcover is beautifully decorated by Gray himself. I always try to get hold of Gray’s books in hardcover whenever I can because underneath the dust jackets, you get elaborate beautiful books. Gray also writes his own blurbs, controls the typesetting and draws his own illustrations. The Book of Prefaces is as close as Gray has come to a postmodern Gesamtkunstwerk. The book is beautiful, of course, but Gray adds an extra layer by writing prefaces to the selected prefaces and writing prefaces to those prefaces. It is all rather dazzling.

And as fate would have it, I have ended up in Glasgow. Alasdair Gray lives just a few streets down from me (I may have said “Good afternoon, sir” once or twice), my local pub features his artwork and my boyfriend has drawn him at art class. Strange how these things work out.

Read more about dear Ally Gray and his artwork or his writing and remember that Poor Things is the best place to start. Meanwhile I shall continue to chase sunlight.

I have booked myself a short, but much-needed flight home to Denmark in May. I need to spend time with the Danish part of myself, I have decided. Going back is always odd because it invariably ends up being a long series of meet-ups with everybody I have ever known in Denmark. I cannot remember the last time I spent a few hours in Copenhagen just, you know, hanging out with myself. I am not complaining. It just feels strange after having spent fifteen years in Copenhagen and suddenly the way I engage with my city is transformed. I think this is something most expats experience.

Linkage, then:

+ When I read “Glasgow Artist Restores Lost Mural” on the BBC website, I knew exactly who and what they were talking about. Wooh!
+ Cover Versions: “Classic records lost in time and format, remerged as Pelican books.”
+ Speaking of which .. Pelican paperbacks. I used to own a lot of them.
+ Art-House Book Trailers. Just as vile as the name suggests.
+ CraftGawker. Look, be inspired, create.
+ This Is Not A Riot: An effective, non-violent response to riot police. (I miss going to demonstrations)
+ The Fall of the Spanish Hapsburgs, or why marrying your first cousin is a bad, bad idea. See also this pictorial guide to the Spanish Hapsburgs. Ouch.
+ As seen everywhere on the web: Uncomfortable plot summaries. To wit: “Groundhog Day: Misanthropic creep exploits space/time anomaly to stalk coworker.”
+ And as seen on John’s blog: “Over the weekend, sharp-eyed Cassini-watchers on unmannedspaceflight.com noticed a series of way-cool photos on the mission’s raw images website.” Mindblowingly cool photos.

I finished reading The Time-Traveller’s Wife. It was rather “girly”. I have also begun yet another knitting project: Geno in duck’s-egg-blue milk-cotton. It’s rather lovely and very summery.

I shot it in early August when we went to Sweden for a day. The weather was incredibly hot (although not particularly sunny) and all these tanned, long-limbed Swedish teenagers were hurling themselves into the Øresund from various cliffs and balconies. I don’t know who this boy was, but I am very happy that I decided to take an impromptu photo of him.

I have frequently said that 2008 was an annus horribilis. Looking back, there were some good bits.

The Obama win.

Our trip to Denmark and Sweden was a great success.

I rediscovered my creative side and did so many strange, wonderful things that my head is slightly reeling.

I met some fantastic people: Ellie, Kathleen, Kippen, Anna (who has the best blog title evah), Paula, Angela, SoCherry, Lilith and Kirsty (and the rest do not have easily accessible online profiles) to name but a few.

My Alasdair Gray fangirl-ness reached a new height.

And I managed to remain alive with all my bits and pieces intact which is a bit of a triumph all things considered.

I don’t really do New Year’s resolutions because I know I will fail horribly if I set myself goals like “I need to lose ten kilos” or “I will watch Kieslowski’s Dekalog without falling asleep.” However, knitterly resolutions feel different.

I have signed up for a “Twelve Projects in Twelve Months” challenge and I would like to get back to doing stranded knitting (which I did when I was a teenager). I want to use more local wool instead of tricking myself into thinking that US brands are way superior. I want to knit down some of my laceweight stash. And I want to knit a Faroese-ish shawl with my Faroese laceweight to celebrate that I’m partly Faroese on an obscure side of my family.

And I’d quite like to read a bit more too and watch some of the DVDs that we have amassed recently (in particular Brief Encounter, In Bruges and Juno).

Happy new year to you all. As we say in Scotland – Happy Hogmanay! – and in Denmark – Godt nytår!

The Six Weeks of Silence idea seemed particularly attractive this morning after waking up abruptly at 5am because of a neighbour getting ready for work and then being kept awake by builders dragging debris down the communal stairs. I was lying in bed dreaming of that little cottage on Skye: no neds fighting in the street, no taxis honking their horns at 3am, no alarm clocks, no thumping bass-lines.. the idea was so overwhelmingly beautiful that I was almost ready to give up internet access, live-in partner and chai lattes. Almost.

Six more books for the Isle of Skye:

1. James Robertson: The Testament of Gideon Mack: I have already read this book, but that is why I know it’d make a perfect companion for weeks of solitude (although it might just freak me out too).  A (Scottish) book about faith, imagination and how to define reality and truth.
2. James Hogg: The Private Memoirs and Confessions of a Justified Sinner: If Gideon Mack with its strange opaque view of reality is on my list, I should also have the book to which it owes a great deal. A good university friend was a dedicated Hogg fan. I hope to catch up. I also like books that play off one another.
3. Rodge Glass: Alasdair Gray – A Secretary’s Biography: And to round off this small selection of Scottish literature, a book I suspect Father Christmas might give me this year. A biography of one of my favourite authors written in a positively Boswellian manner. And it’s all taking place just down the road from my current dwellings. I suspect hermit life on Skye will make me long for the colourful Glasgow West End.
4. Virginia Woolf: Flush: Some light reading is required, of course. Like most pale, sensitive and female literature graduates, I like Virginia Woolf far too much. I also happen to like dogs (which reminds me: this puppy cam is teh crack) and Woolf has penned a little “biography” of Elizabeth Barrett Browning’s cocker-spaniel. When the winds really start getting to me on Skye, I will want to curl up with this book about dogs, poetry and Victorian passions.
5. Michael Chabon: The Yiddish Policemen’s Union: Chabon’s The Amazing Adventures of Kavalier and Clay was such a pleasant surprise to me. I had anticipated inflated self-importance in the vein of Dave Eggers or Jonathan Safran Foer or maybe even painful so-called ‘literary’ writing like Jonathan Frazen or Jeffrey Eugenides (you can tell I have issues with male contemporary American writers) – but Chabon proved an utter delight and I am looking forward to being delighted once more. The Yiddish Policemen’s Union even has a character based upon an internet friend of mine which is slightly intriguing too.
6. Rose Tremain: Music and Silence: A book not chosen for its title but because of its historical setting in my native Denmark. Another book which has been languishing on my shelves for too long and a book where the historical context is so familiar that I look forward to seeing a foreigner’s take. Okay, and maybe a tiny bit to do with “silence”.

And then the knitting. I wrote yesterday that I had two projects in mind which was not strictly true. I always have a gazillion possible projects running through my head and I spend much time thinking about yarns and pattern combinations. For six weeks of solitude I could easily have chosen half a dozen projects, but the idea is to limit myself.  Six weeks without noise or distractions could easily mean ‘difficult patterns which require concentration and dilligence’ but my head does not work like that.

The first project would be Kate Gilbert’s Union Square Market Pullover in my beloved DROPS Alpaca. I’d use a warm chocolate brown as the main colour and a deep turquoise (or maybe a deliciously brash magenta) as the contrast colour. The choice of pattern is simple: it calls for miles and miles of mindless stocking stitch on 3.25mm needles. I don’t think anything short of being marooned on a remote Scottish island for six weeks could ever make me knit that pullover (and yet I love its elegance and simplicity).

Final part tomorrow. Hopefully I will also have a finished knitted object to show you.

So, to my mind, the solution would be to write an article called “The Resistance of Parody – Alasdair Gray, Bakhtin and the impossibility of Fanfiction” and what a very amusing writing exercise that would be. Not quite a novel, of course, but I might get cracking on that during November.

PS. There’s a reason why this blog entry will be filled under “humour”

What happened? A lot, I tell you. I sang along to Cole Porter songs and my partner produced this:

Some of you might know that in my former life as a quasi-academic, I worked and published on Alasdair Gray, the writer and the writer-artist. Who would have thought I’d end up sitting next to him at a burlesque-meets-art school event? Or that David would think it funny to draw Ally Gray and have him sign the drawing? It beats my signed first edition hands down, damn him.

Another boon was that the founder of Dr. Sketchy, the very lovely Molly Crabapple (NSWF, possibly) was present as well. I’ve long nourished a minor internet crush on her and her illustrations. Sigh. And we absolutely loved Kitten on the Keys (quite NSFW) and David drew yet another fabulous portrait. I’d post it but it’d completely ruin his ego.

Mmm.. I’ll be humming Cole Porter songs in my sleep, methinks.

I’m currently halfway through Iain Pears’ An Instance of the Fingerpost which reads like a mix between early Julian Barnes and Umberto Eco with a dash of classic whodunnit. David gave up on the book after about 200 pages but I find myself enjoying its slow pace, Pears’ knowledge of 17th century science (unlike, say, Ross King whose Ex Libris was so, so, so inaccurate that it nearly made me cry) and the novel’s multi-narrative structure. My partner bought Pears’ The Immaculate Deception from Oxfam Books yesterday. It looks to be a light read, though. I might keep that for winter. I tend towards light books during the dark months.

Also on the backburner: Marilynne Robinson’s Housekeeping. Back when I was in the process of moving countries, I read her Gilead. It floored me with its precise language, its exploration of ‘home’ and ‘family’ and the slow, deliberate move towards its dénouement. At that point of time, I was living out of a suitcase whilst spending nights on friends’ sofas. I was susceptible to Gilead, in other words. Robinson’s Housekeeping is bleaker and I cannot quite muster the calmness that her novel demands. I still adore her way of using language though.

And then there are the books which have suffered. Maps For Lost Lovers by Nadeem Aslam and Old Men In Love by my beloved Alasdair Gray (signed 1st Ed – I should scan the dedication). They’re on my bedside table and deserve far more attention.

If everything else fails, of course, there’s always my growing stack of knitting books..

Now, as some longterm readers/friends may know, I’m absolutely obsessed by paratexts and paratextuality: tables of content, indices, illustrations, prefaces, typefaces, paper textures etc. Everything that makes a text a book, basically. I have found an absolute gem: A Book of Tables of Content. You can see a slideshow at the site and there is even a Flickr group where you can upload your own favourite Table of Content. Personally I have a thing about the ToC in Iain Banks’ The Bridge (my favourite Banks novel, by the way). The novel takes place on the Firth of Forth Bridge and if you turn the ToC ninety degrees, it actually takes on the shape of that particular bridge. Nifty.

Finally, a very, very cool/scary photo of when volcanoes spew lightning.

PS. I have finished my first sweater and I’m very proud

So, a compensation I was allowed to buy three skeins of very, fabulous, very expensive yarn. I am not sure if it is entirely healthy (for my bank account or my partner’s sanity) to both suffer from bibliophilia and, er, yarn-philia?

Speaking of bibliophilia, one of my major interests is artists’ books: the idea that the book is more than just a transparent medium but actually plays a major part in our understanding of texts (and thus the world) is very, very appealing to me. This year’s Glasgow’s International Art Festival caters to this interest of mine with the Glasgow International Artists Bookfair. It’ll feature all sorts of books about books as well as actual artists’ books and workshops on bookbinding etc. I’m so there. No surprise that I will also be found here looking very excited at this exhibition.

Glasgow is good to me.