Posts tagged Purls

Christmas Crafting

This holiday season I was not going to make anything for anybody – bar that quilt for my mother which didn’t happen. Then someone suggested a small crafty Christmas exchange within a tiny circle of friends – and how could I resist making things for people who appreciate handmade things and who knows how much love and work go into every single stitch?

And I ended up making some things that I well and truly love.

A Christmas pudding pin cushion for L.

The pattern is by Freddie Patmore, but I do not think it is available outside Rowan Christmas workshops? I used oddments of Rowan Pure Wool DK for this one. I used toy stuffing for the top and added a tiny bag filled with rice for a bit of added weight at the bottom.

The construction of the holly leaves is really clever, by the way.

I never thought I’d be one to knit novelty Christmas puddings, but we learn new things about ourselves all the time, don’t we? This was actually so much fun to make that I also made one for myself using Rowan Fine Tweed! I’ll try to get a photo of that later..

I made three Christmas baubles for P.

I used Balls Up! by General Hogbuffer (this may be a pseudonym!) as a template, but I did deviate quite a bit as the styrofoam balls I used were significantly smaller than the ones used in the pattern.

The yarn? Oddments of sheepy Shetland type 4ply. Needles? 2.5mm.

The first bauble took an evening to make as I had to figure out my own modifications rather than work straight from the pattern. The next two baubles took significantly less time, although I was still using colourful language towards the end when the styrofoam ball was inside the work-in-progress and I had to work decreases on tiny needles. Again, hands did suffer in the making of these objects!

I absolutely love these – I think they look amazing – and if I had had any more styrofoam baubles, everyone would have received these. I think this is something I’ll make again – possibly for my mother next year and definitely for myself.

(Of course taking these photographs was another eye-opener for any neighbours who had forgotten my quirky ways: “Look, dear, the lady from next door is off the rails again. She’s kneeling in the snow with her camera fixed at something knitted.” They will learn someday.)

I also made something for E. but she refused to open her gift before Christmas Day..

Kastanie

Dear Father Christmas,

I have been a very good girl this year. Well, I have been a very good girl most of the year. Okay, I was a very good girl until last night. I hope we are still cool about me getting a floppy-eared puppy with big paws?

Love, Karie x

Last night I cast on for a project that has nothing to do with work nor is it one of my own designs. In fact, it is a completely frivolous project that I only cast on because – gasp – I wanted to knit it. I don’t think I have done that for a very, very long time (and typing that makes me feel a bit sad, actually). Kastanie is going to be a jumper. I bought the first issue of knit.wear a couple of months ago because I loved the simple, wearable Wendy Bernard pattern. Of course it transpires that the pattern is a re-branded Riverstone Boatneck jumper which makes me very angry as a consumer. Pay $5.50 to get the one pattern or pay £10 for a magazine? I know which one I would have preferred.

Anyway. In my stash I had two large skeins of New Lanark Aran in a one-off colourway that I bought on a visit to the Mill back in 2009. The colour is a gorgeous heathery chestnut (‘Kastanie’ is Danish for chestnut) and I am loving up it works up with the stitch pattern. I reckon I have maybe 600g of yarn which may or may not be enough for the jumper, but we shall see. The jumper is a bog-standard, easily-modified top-down raglan so I can play around with fit and yardage. All in all, this is not an earth-shatteringly new direction for my knitting but I just really want a cosy winter jumper that I can knit up fairly quickly and without too much stress.

Speaking of stress, I use WordPress to power this site and sadly their new update makes it incredibly cumbersome for me to blog. This entry has been entirely hand-coded, for instance, and while I do like coding, I am not particularly keen on handcoding every single blog post. It takes too much time. I’m off to find a solution. If you want to see another photo of Kastanie, please visit its project page on Ravelry. No link because that would require about three different windows open and additional handcoding. You get my drift.

2011: A Year in Knitting

Although we are only halfway through December, I am ready to look back at my knitting year. I found a New Year’s Resolution post I made on Ravelry on January 3, 2011:

  • Sort out the unwieldy stash
  • Eleven hats in 2011 (or preferably more…)
  • Knit up a lot of the random balls scattered throughout the stash
  • Finish more than 2.75 garments within a year.
  • Relax with my knitting. It shouldn’t feel like a chore

And how did I do? I did relatively badly.

I managed to organise the stash but it became rather disorganised in October when we had to get the spare bed out of storage, thus upsetting my stacks of yarn boxes in the process. Eleven hats? No. I managed three. I still need hats, so I will aim to knit some more with some of the random balls still in my stash. I did knit one cardigan and finished another one which had languished in my knitting basket. I turned a third garment into a shrug and I’m halfway through a fourth garment. Mild success? It doesn’t feel like it.

As for relaxing with my knitting? Here is where I have to come clean. I work within the knitting industry. Although it is the best job in the world, knitting is still work and as such it can feel like a chore at times. Most of my knitting time is spent swatching and I rarely get to finish things. I am not complaining because I am one of the lucky ones who has managed to turn a hobby into a career, but I am now realising that sometimes knitting will not feel relaxing and that is okay.

So, 2011. What did I do and what were my favourites?

  • I exhibited knitted art at The Tramway Art Gallery. Yikes.
  • One of my go-to- FOs was the Silkwood Cowl which felt like a really carefree project and subsequently has been living around my neck most of the year.
  • My other go-to FO has been my Red Cardigan of Doom which took me forever to finish and which I thought looked awful on me. I have practically lived in it ever since. I have to knit a proper long-sleeved cardigan out of Rowan Baby Alpaca because it makes the softest, warmest fabric I have ever worn. I am always cold – except when I wear this cardigan.
  • I released a couple of patterns – some free and some not so free. My favourites? Karise was released in July and has just been the subject of a Ravelry knit-along. Tornved was released this month to a quite overwhelming response (gosh). I also did a couple of patterns for a store which I have not yet added to Ravelry.
  • I tried a lot of new yarns. I loved working with Old Maiden Aunt merino/silk. It was a lovely heavy and drapey yarn just perfect for shawls. However, it is fair to say that 2011 was the year of knitting Kidsilk Haze. I used that a lot.

So. 2012. What do I spy in the crystal ball and what do I hope for?

  • I’m already working on more patterns. I have sketchbook filled with what is essentially 2-and-a-half collections worth of patterns. Hopefully I will be able to devote more time to this in 2012.
  • I’d really love to knit a few garments in 2012. Quality over quantity.
  • And I still need more hats.
  • Keeping on top of the stash. I cannot promise ‘more yarn out than in’ but at least I won’t do the ‘oh, I fancy a ball of that’ thing because that way madness lies. I am getting far better at curating my stash already. May it continue.
  • More conscious allocation of my knitting time: what is ‘work’ knitting and what is ‘me’ knitting?

Of course I have a list of things I want to knit, but as 2011 has shown me: I had better not plan too far ahead.

Pattern: Tornved

My heart sank when I woke up this morning. It was another classic Glasgow early-winter morning: overcast, rainy and dreich. And I meant to do a photo shoot today, rats.

Yes, boys and girls, I finished designing and writing another pattern. Remember the Old Maiden Aunt knitalong? I set myself the challenge of designing a shawl pattern during the KAL (oh, and knitting the sample and writing the pattern too).

I had the idea very early on that I wanted to design a shawl with my childhood in mind. I spent my summers in Tornved, a tiny hamlet in rural Denmark, where my great-grandmother. Lily, lived in a cottage. Her cottage looked out on farmland and I thought I wanted to put that into writing knitting. So, there you have it: birds chasing seeds and flying over unworked soil. I find it oddly poetic.

And on a practical note, I love small shawls with a solid stocking stitch middle but I find them quite dull to knit, so I wanted a lace pattern that would break up the monotony of stocking stitch but remain fairly solid.

Anyway, I eventually decided to take some photos inside one of the glass house in the nearby Botanic Gardens. Some of the statues kindly volunteered to be wrapped up in wool which gave my shawl a faint Gothic feel. Maybe those are not birds, but hearts..Hmm..

I am still unsure about the amount of light, but things are not going to get any brighter for a few weeks (yay, solstice!). Also, the grand prize in the Old Maiden Aunt November knitalong is a complete Tornved kit, so I needed to wrap things up.

Tornved took me three weeks to chart (because charts kept being stupid and big and difficult to knit) and less than four days to knit (when I finally cracked the chart thing). This speed-knitting adventure can possibly be the reason why I’m struggling with a wonky wrist now. Don’t try this at home, kids. And it was an oddly emotional knit (and I don’t do emotions) because I sat there thinking about ways to incorporate memories into a knit without being too specific.

You can purchase Tornved on Ravelry, if you so desire. I used 390 yards of Old Maiden Aunt Merino 4ply in the colour Berry Good and knitted it on 4mm circs. I did not bead this shawl, but I have included several beading tips for all you bling-lovers.

And that is that, I guess. I have lived with this shawl design for a month and now it is leaving the nest. Aww..

Listed

I have been having the kind of month when I am constantly running behind myself. I think this is called Modern Life, but hopefully I can retire to my Absolutely Old-Fashioned Life once Christmas preparation is well under way.

  • I have been running a lot of Christmas crafts demonstrations and workshops lately. One of the least expected (and totally new favourite) outcome is my Christmas Pudding pin cushion. I shall need to show you.
  • I have been busy designing a new shawl pattern. The charts kept mocking me, but I am back on track. I ran a small Twitter giveaway in which people could win my new pattern which proved to be a lot of fun.
  • Meanwhile the Old Maiden Aunt knit-along is nearing the final stage and people have been posting heaps of finished Karise shawls. I get this really funny feeling in my stomach every time I see another one. I’ll need to show you a selection of my favourites too.
  • I have managed to injure my wrist by knitting too much, but once I recover and also find time for some personal knitting, I’m pondering knitting another Kim Hargreaves cardigan in some more Baby Alpaca DK. Because I actually love wearing my Red Cardigan of Doom. It is the warmest, cosiest thing I own. Am I totally insane?
  • We have been watching plenty of films in Casa Bookish lately. They have no been particularly highbrow films, but I really enjoyed watching X-men: First Class and Centurion. On a slightly more high-brow note, I am still enthralled by Mark Cousin’s The Story of Film and have just begun watching the second season of The Killing (the Danish version, natch).
  • No books since my double whammy of Jane Eyre and Virginia Woolf’s Flush. I have a mind to read some Djuna Barnesnext, but we shall see.
  • I have been doing a lot of Christmas shopping online and hardly anything has shown up despite me ordering things ages ago. I know it is only end of November, but I am usually done with my Christmas shopping by September, so I am antsy.
  • I have been listening to a lot of Nick Drake lately (because I’m that kind of aging hipster). Saturday Sun may well be my new favourite song.

I am well aware that I have not been blogging as much as I would like. Partly it is because I have been rather stressed and partly because I am hoping to unveil a new look Fourth Edition in the new year. Being a one-woman show is not all that it is cracked up to be sometimes!

Charting & Swatching

Designing is a laborious process. First there is the idea, then there is sketching, followed by charting, swatching and finally writing before any proper knitting can occur. It is laborious, frustrating and fun to pursue an idea and see it become an actual piece of knitting.

This past week I have spent countless hours stuck in the charting and swatching part of the process. I have a tonne of ideas and a thick sketchbook, but while I can chart a thousand things, you never know how things really look until you swatch: One beautiful chart turned out to look male genitalia once knitted up; Another chart turned out to be awfully, awfully challenging to knit; Yet another chart turned out beautifully but once knitted it was clearly destined for a cardigan I’m yet to design and knit.

And do not get me started on charts that do not easily slot into triangular shawl construction: I have one gorgeous chart that turned out to have an 82 row repeat once I applied it to a typical shawl construction. I had several tense moments when promising charts collapsed under the strain of even increases.

Happily all of this is behind me now and I am now in the writing and knitting phase. That means that, yes, a new shawl pattern will be available come December. I hope you will like it.

Arboretum

Visual poetry: a poetry form in which the shape of the poem is as important as the words themselves. The Scottish poet and gardener Ian Hamilton Smith combined gardening, sculptures and poetry to great effect. The woods around Bennachie yield beautiful surprises as you walk around in them:  words carved in stone, sentences arranged amongst branches and trunks.  I live far from Bennachie, but I live very close to The Glasgow Arboretum (you can almost see my home in the photo) where you can also find fragments of poetry scattered among the trees.

My winter mitts? A fairly quick, uncomplicated knit. I used a pattern I found in The Knitting Book and yarn given to me by my mother. I have tiny hands, so went down a few needle sizes and I also added thumbs. The yarn matches a cowl and a hat I made earlier, so I’m all set for winter now. Bring it on.

I am spending today swatching for a future project/design. I played around with charts in Excel earlier and now I’m trying to figure out which texture I like best. It is always fun trying to strike a balance between my personal aesthetics, an imagined level of difficulty, and the actual purpose of the pattern.

I had a quick Twitter exchange with a few people after I came up with a true lace chart (i.e. lace knitted on both sides). I loved the idea of the pattern, but when I started to work it up in 4ply I knew it did not work in such a relatively heavy yarn. Twitterati consensus was that true lace is scary. I don’t think this is necessarily true, but I know that this is what many people feel. Honestly, this project is not one for ‘scary’ lace so that chart was shelved alongside many other charts. Hopefully I will find the right project for it at some point.

Meanwhile I have come up with another chart – or, rather, four different versions of the same chart. I am busy swatching trying to figure out which version works best. I’m using some leftover Old Maiden Aunt merino/silk for the swatches. I need more of this yarn, I really do. It’s beautiful to work with on my new Addi bamboo needles.

Finally, the soundtrack for work: I rediscovered this album this morning. The light is pale and thin. Like you. Has it really been 19 years?

Reader, I Knitted The Cardigan

There is a lovely bit in Charlotte Brontë’s Jane Eyre where the housekeeper, Mrs Fairfax, says something in the vein of, “Oh, hang on a sec. Must. Finish. This. Row.” I smiled in recognition when I came across it during my recent re-read of the book.

I first read Jane Eyre when I was fourteen. I had this mad, mad notion of ‘reading all the classics’ before I turned fifteen. My school library had the Danish equivalent of Everyman’s Library, and so I just started with the first book in the series. I did not get far, of course, because I read indiscriminately and without any real understanding of what I read. Jane Eyre was one of the books I did read (alongside Emily Brontë’s Wuthering Heights) and I remember thinking it was ‘okay but a bit dull’.

Then I decided to revisit Eyre a few weeks ago and I am so very glad that I did. It took my breath away. What an intelligent, passionate, fierce book it is. Then I took it upon myself to watch a few adaptations of Eyre: the recent Wasikowska/Fassbender film was difficult to pin down (this is a compliment of sorts) whilst the 2006 BBC mini-series was atrocious and hammy. Eyre is an oddball of a novel – it is easy to describe it as an exterior novel because so much happens on the surface with storms raging and mad women running around, but I actually read it as an extremely interior novel with so much thinking going on. No wonder it is difficult to adapt satisfyingly. I won’t leave it another twenty years between reads.

I finished my Red Cardigan of Doom during my Eyre marathon. Want to see?

Pattern: Patsy by Kim Hargreaves
Yarn: Rowan Baby Alpaca DK
Verdict: Mneh.

I started this cardigan last summer and finished knitting it around Christmas 2010. I did some provisional seaming just to see how it looked, and it was Not Good. The sleeves were particularly problematic because I have quite long arms and there was some weird chicken-fillet-dangling-in-the-wind action going on somewhere south of my elbows. Don’t ask. It wasn’t good, mkay? So this cardigan languished and languished until I finally decided to perform some sweater surgery (complete with scissors and assorted weirdness). I finished the cardigan on Wednesday and wore it to my meeting on Thursday. I still haven’t found the buttons I bought for it last year, so I’m just wearing it with a shawl pin.

And I’m really unsure about it. The yarn is heavenly soft, drapes so beautifully and is wonderfully warm – I’d use it again in a heartbeat – but I’m really not sure if the cardigan suits me. I do like Kim Hargreaves’ patterns but this one was perhaps not the right choice for me.. or maybe my body shape just doesn’t work with Kim Hargreaves patterns which is also a point worth remembering.

I have another Finished Object to blog but that is for another day..

Right Here Right Now Is No Other Place I’d Rather Be

This month my Karise shawl has been the subject of a knit-along on the Old Maiden Aunt group on Ravelry. The response has been absolutely overwhelming and I love seeing what people are doing with my pattern. It is amazing to watch how something I sketched on paper has sprung to life and – get this – people like it. Yikes.

You still have time to participate in the knit-along – and my Karise shawl pattern is actually available with a 20% discount code until end of the knitalong (end of November)! To purchase the pattern go here and use the code OMAKAL – of course you don’t need to participate in the knit-along, but I have really enjoyed following the group throughout these last few weeks.

On this side of the table, I am working on a few new things. Most of these things are still in the sketchbook stage, but I have started one new proper project. A couple of years ago I had a misguided attempt at designing a jumper on the fly before I understood things like “fibre-properties” and “planning” and “fit”. The result was a hideous jumper I have worn twice. I stuck it in the washing machine the other night and felted the bejeebus out of it. It came out beautifully felted and just the right size for a tea pot cosy. I’m now playing around with sewing it together and decorating it. Pictures will be up on Monday, but I really like it so far and I love being able to get some proper use out of some very lovely yarn. If the tea cosy works out really well, I will put together a tutorial. Gosh.

And this is pretty much what life is like nowadays. My crafting is automatically translated in my head as “how can I communicate this to other people” and “how can this become accessible to others”. These days crafting is more about you than me. I am not sure when the shift happened but it has happened in a very definite way. I love creating, making, and crafting but I love it best when I can get other people on-board.

Apropos of nothing: writers and their libraries. Everything is as you would expect – Philip Pullman is thoughtful and lovely (and I’m delighted to see he adores Fernando Pessoa and poetry anthologies too) and Junot Diaz is a hipster who mixes post-colonial literature with geek classics – but books do furnish a room.

FO: Alva

I just released a new free shawl pattern on Ravelry: Alva.

Alva takes one ball of Rowan Kidsilk Haze Stripe (or two balls of regular Kidsilk Haze) and is knitted on 5mm needles. My sample is knitted using sh. 200 (“Twillight”).

I designed Alva because while I love the new KSH yarn, there was a real dearth of patterns available for it. I wanted a simple, straightforward knit which would showcase the colours. Alva is designed for beginning knitters which is why the lace edging is optional (and written out rather than charted). .

I find it is very different to design for yarn support (which I guess Alva is) rather than design for myself. With yarn support, I keep the end user in mind: who would be knitting this pattern? What skill level am I aiming for? How can I make this even easier to knit? I want my design to be accessible to as many people as possible. This is a fun challenge – and actually more than a challenge than it is to design for myself.

My Karise shawl is currently being knitted in a KAL on Ravelry. It was also designed for yarn support, but I took advantage of being able to play around with charts. S. of MooncalfMakes described Karise as having “..a kind of architectural quality to it, like wrought iron-work or granite carvings.” I consider this a huge compliment: I find architecture incredibly inspiring and I hope Karise would have a certain sense of stillness to its lace. It is possibly the closest I have come to designing anything for myself.

I look around Ravelry and I see increasingly complicated lace shawls being showcased. In my own quiet way I guess I’m reacting against that trend. I just don’t get it. I do not want to wear things that have 1001 details. I would feel overwhelmed, drowning in frills and bobbles and twisted stitches. I would much rather wear a carefully edited shawl, something understated, something knowing. Maybe it is the Scandinavian in me, maybe it is because I like sparseness in most things.

And William Carlos Williams and his This Is Just To Say was just as difficult to write as, say, Ezra Pound‘s Cantos (if not more), this liberal arts grad girl would like to point out.

On a whole other note, Fourth Edition is being moved about in the next few weeks. Stay tuned for disruption (unless I manage to work things out quickly).

PS. ‘Tis now the season for CRAP light so until April, expect bad photos.