Only a handful of books make it to my all-time God-Awful Reads list.

Jonathan Myerson’s Noise is one: wildly inconsistent pacing, one plot dropped in favour for another as Myerson seemingly got bored with his original idea (or found himself incapable of writing the novel he set out to do) and a constant sneering, smug sense of contempt running throughout the book (the only consistent thing about it). Julian Barnes’ England, England is another. Barnes had two great ideas (England as a theme-park and a Baudrillardian take on said theme-park) but could not get them to work in the context of a novel. A cautionary tale that sometimes you need to write an essay rather than try to work your ideas out in fiction.  And then dear Ian McEwan with his Booker-winning Amsterdam, a book so contrived, self-indulgent and ill-executed that it has coloured my reading of everything else McEwan has written.

I think what bothers me about Never Let Me Go was the pointlessness of it. I cannot even pretend to loathe it as there is nothing there to loathe. I cannot point to any smug, self-inflated sense of importance (Myerson’s Noise), any over-ambitious intellectualism running rampant (Barnes’ England, England), nor any toe-curlingly bad writing and plotting (McEwan’s Amsterdam). Ishiguro’s book is just .. there. It doesn’t challenge, doesn’t engage, doesn’t take a stand and doesn’t make you think. I’m bothered by this (which could be argued is an achievement, of course).

By contrast I finished reading Larsson’s novel this morning having raced through it over the course of the weekend. Män som hatar kvinnor is not my cup of tea. I am a squeamish reader who does not enjoy reading page after page filled with gory details or graphic sexual encounters. I also had real issues with the main characters (the main investigator, Mikael Blomkvist, was an author surrogate; Lisbeth Salander, Blomkvist’s hacker sidekick, was a pile of clichés, or, as Joan Smith points out in her excellent review, ‘a revenge fantasy come to life.’). Having said that, the book made me care. I cared about finding old photographs and piecing together what happened one afternoon in 1966. The plot was convincing (if too gory for me) and unpredictable. Larsson’s real strength, to me, was his description of milieus: both the remote Hedestad community and the smart and educated Stockholm media intelligentsia were drawn with a strong, decisive hand. I do not think I shall be seeking out the two other books in Larsson’s trilogy – I’m too squeamish and not much of a crime-writing connoisseur – but if you like your crime novels smart, well-written and compelling, I’d recommend Män som hatar kvinnor in a heartbeat.

Next: I need to read a book written by a women, I think. Mantel & Wolf Hall, here I come.

I am knitting Larry out of British Sheep Breeds DK in Bluefaced Leicester cream and brown. The pattern is Janice Anderson’s free sheep pattern (pdf). I made a slight mess of picking up stitches around Larry’s face (the decreases stand out more than I’d like), but I hope it’ll even out once I stuff the toy. I’m knitting Larry on request, but I’m actually enjoying the process way more than I thought I would.

I’m really, really loving the BSB wool: it is a heady combination of the rustic wools I love so dearly (smells faintly of sheep, is unprocessed, comes in natural colours only) and the tempting butter-soft merinos I keep going back to (so very soft, feels great as you’re working with it, next-to-skin smooth). I had no idea it would be so fabulous, although my friend LH has been in raptures over it for as long as I have known her. I really have to knit a jumper or cardigan out of it one of these days. Srsly.

In very related news, my knitting bag is safe. Don’t ask.

I finished reading Kazuo Ishiguro’s Never Let Me Go on Friday and I was very disappointed. The book has a meaty subject matter and Ishiguro has the necessary writing chops, but instead of an “extraordinary“, “enthralling” and “masterly” book I was left reading a rather tedious, flawed novel. I get that Ishiguro writes about people unable to live full lives, people who are somehow lost (even to themselves) and people who are out of step with time. I get that he “writes like someone impersonating a realist” with resulting defamilarization etc. Still, the novel has an extraordinarily clumsy dénouement, the plot has numerous gaping holes and the writing felt lazy as though Ishiguro was painting by numbers. Never Let Me Go just did not add up as a satisfactory read and I am left wondering if the glowing reviews (and subsequent prize-nominations etc) were the result of Ishiguro’s reputation as an important British novelist or if I am losing my grip on what a good literary novel reads like.

Next: I have exchanged my book vouchers for Toibin’s Brooklyn and Mantel’s Wolf Hall. I even got Stieg Larsson’s The Girl with the Dragon Tattoo thrown in as a special offer, although I rather regret not getting it in Swedish (but then David would be disadvantaged).

One afternoon I was meeting up with a couple of friends and we were merrily knitting along when a woman came up and said very slowly: “Oh. You are. All. Knitting. Socks.” We weren’t, actually, but I appreciated the stunned tone to the woman’s voice.

And how did my Other Half react? He went out and got me a wooden shoe last because, and I quote, “you might want to use it for showcasing your socks on Ravelry photos.” I already knew he was a keeper, but it’s always pleasant to have this confirmed.

While I am not convinced the last will work for showcasing any socks, I do think it is exceptionally pretty in that ‘early-20th C industrial item’ way when mass-produced items were still being made in non-industrial materials such as wood, when you could still detect the workman’s hand in the final product.

I do also adore the tiny details: the little plaque bearing the manufacturer’s name, the stamp, the hinges and the elegant handle.

Ah, if this won’t get me sock-knitting, I am not sure what will. I do have a pair of very plain socks on the go and I’m actually looking forward to a no-feet-involved photo shoot now.

Still no word on the missing project bag. I have a mind to go rummage through my workplace’s storage facility today (and maybe buy a few books whilst I am in City Centre – those birthday vouchers are burning a hole in my pocket!). I find some comfort in the fact that both David and my mother think I might just have misplaced it. They know me too well.

I started to second-guess myself. Maybe I had forgotten the bag at home, maybe I had just imagined taking the bag with me to work and maybe it was still in Casa Bookish. I called David who looked All The Usual Places but couldn’t see anything. Right, I thought, I’ll take a detour home, pick up the project bag from its ingenious hiding place and then I will go to knitting group because, obviously, David would not have spotted said project bag even if it were sitting on top of the kitchen counter. I got home, started looking and, no, the knitting bag is definitely gone gone gone.

I am surprisingly upset about this loss. By “upset” I mean “holy crumpet, I’m going to burst into tears any second now and sob hysterically for thirty minutes unless something really uplifting happens in the next fifteen seconds”. We are talking half-a-front of a jumper, some Rowan Summer Tweed, my precious KnitPros and the fact that some **** thought it okay to avail him/herself of my private property.

I mean, who the hell steals a half-made jumper?! Oh lowlife, may your tension become wonky, may you lose stitches and may you develop a sudden allergy to all things woolly.

(of course if the project bag suddenly reappears next time I come into work, we will pretend this little interlude never happened)

But I am in Glasgow and I am wearing my sleeping bag like it’s the new black.

I finished reading China Miéville’s The City & the City the other night, though. I had previously tried getting through Adam Roberts’ Swiftly (which felt like a disastrous date set up by an online dating agency based upon our preferences and demographics, but the spark wasn’t there and we disliked each other from the get-go) and Mark Slouka’s The Visible World (which I’m pondering giving a second go), so when I flew through Miéville’s novel, I was relieved. I’d recommend it – particularly if you like smart speculative fiction or want a detective novel with an added flourish – although it was a bit too plot-driven for my taste. Also, I liked Miéville’s light writerly touches such as naming the border area between the two cities “Copula Hall” (grammar nerd alert).

I’m now awaiting the paperback releases of Colm Toibin’s Brooklyn, Hillary Mantel’s Wolf Hall and, of course, Margaret Atwood’s The Year of the Flood. What books are you looking forward to reading?

Knitting-wise, I have made some headway on my summer top (now forever known as “Frankie Says..” and I’m showing my age) and I have cast on for a second pair of socks(!) seeing as my first pair are lovely, warm and perfect for snuggling up at night (again, showing my age).

And now it is time to do said snuggling under the covers with a book. Have a lovely Sunday.

I began my next project on Tuesday night – my Summer Tweed jumper from Rowan 47 – and the weather gods turned against me immediately. We have had snow the past couple of days. I am so tempted to cast on for a big, woolly jumper but I know I will cherish the Summer Tweed jumper in the months to come. Sometimes I am being too pragmatic for my own good.

Some random links from my “blogging” bookmark file:

+ Very, very, very pretty dustjackets for Jules Verne books. I doubt they will be put into production due to costs, but they are very charming and, dare I say it, toy with liminal aspects of paratextuality (that’s my big, pretentious phrase of the week, then).

+ I met Ms Dirty Martini late last year here in Glasgow. She was affable, lovely and cheerful. I had no idea she was collaborating with Karl Lagerfeld (NSFW link). Six degrees of separation, my my.

+ Kathryn Grayson has passed away. She starred in some of my favourite Hollywood musicals – Anchors Aweigh and Show Boat. Here’s a YouTube video of her with Frank Sinatra and Peter Lawson. Sniffle.

+ “Nobody Knows What the (BEEP) They Are Doing” – or how clever people feel like imposters and wonder why they are doing well. I wish I had seen this ages ago when I was a graduate student. The piece is admittedly a bit pop psychology-ish, but I found it an interesting read.

Wall behind the Hunterian Art Gallery and most likely part of the Glasgow University Campus

I have a real weakness for old bricks. They come in all sorts of colours depending upon where they were made; they can be handmade or marked with the manufacturer’s insignia; and they tell stories. We have too many brick photos to mention.  Thankfully my partner understands why I always just need one more photo of an old wall, a bricked-up window or even just an unusual pattern.

Without going into too many details, I can relate to her words and her post made me think quite unhappy thoughts about past events in my life. Then I began thinking about how we relate to our bodies, about how we define ourselves and about that strange link between our minds and bodies (a link it took me decades to accept for one reason or another). And how life is one continuous process of defining, discovering and accepting ourselves in ever-changing contexts. I know I am now very different from who I used to be but I also remain the same.

I wish you all the best, Kate, and I hope for your speedy recovery.

Plus, you know, I had the following exchange today: “Can I talk to the lady in charge of this?” – “That’s me. ” – “No, I want to talk to the slim one.” Ouch. Maybe a soft, clingy knitted dress is a very bad idea, full stop.

Anyway. Finished object: my Kaiti shawl knitted in Rowan Kidsilk Haze (shade: Liqueur). I used just a smidgen over two balls (and you could totally get away with just two balls) on 4.5mm and although I really wanted to knit Sharon Miller’s Birch, I used the top-down version, Kiri, to maximise the shawl-to-yarn ratio. This is a supersoft and very, very warm shawl.

(I’m not-so-slowly getting addicted to Kidsilk Haze – I’d love to knit a cosy jumper in KSH and have fallen in love with yet another Kim Hargreaves design: Veer from Rowan 32. The simple lines plus the quirky little details just stole my heart. )

Photo taken at the Kelvingrove Museum which is my favourite Glasgow museum, hands down. No matter how often I visit, I see something new and interesting. They even have a small, but exquisite collection of Early Modern Period art (one of my favourite ages). Afterwards we headed towards the Hunterian Art Gallery where, be still my heart, we saw a special exhibition on Albrecht Dürer in Italy and printmaking (including an incunabulum, phroawr). Seriously, seriously good stuff. I love my neighbourhood.